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Have you ever noticed how sometimes even the tiniest shifts in color can totally transform a painting? Let’s dive into this idea further using this example from my recent adventure in Italy that resulted in tons of photos of vineyards, villas and stunning views.
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The journey begins by selecting a photo that stirs up emotions. In both the initial sketch and the larger studio work, my aim is to understand these feelings better, going deeper into our emotional responses.
A small 8×14-inch oil painting on paper attached to a panel serves as a testing ground for exploring how the scene is comprised: its light and dark areas, size, texture, and, of course, color. This small study helps to identify the big challenges and exciting discoveries to tackle in a larger painting.
The photo can be divided into four zones:
1
The Sky
2
The Distant Landscape
3
The Hills Up Close
4
The Villa and Vineyard
Once the small painting is nearly complete, I let it sit for a week, allowing for time to reflect and observe the painting. In this study, there’s an uneasy feeling about how the distant landscape (Zone 2) and the nearby hills (Zone 3) work together. The colors in these zones don’t quite harmonize with one another.
In my subsequent painting session, I add a thin layer of color to the sky (Zone 1) and the distant landscape (Zone 2). This softens the difference between them. I make these tiny changes by using less yellow and adding a touch of magenta, which makes everything look better. These zones now harmonize with the foreground hills (Zone 3) while maintaining its atmospheric depth and quality of light.
The painting is all about an old villa, surrounded by vineyards and perched on a hill, that overlooks a vast Italian landscape leading to the Aegean Sea. What really makes this painting exciting is the way the colors subtly shift in the landscape as we move into the distance. Just thinking about these small color shifts makes my heart race as I look forward to exploring them on a larger canvas.